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Cast: Hrithik Roshan and Aishwarya Rai
Direction: Ashutosh Gowariker
I've never felt this way about any other film, but sitting there in my seat watching Jodhaa Akbar, I felt privileged as a moviegoer. Privileged that such a film had been made, and privileged that it had been made in our times so we can form our own opinions of the film rather than adopt the opinions of previous generations, which we invariably must when looking at older classics.
A drama of epic proportions, Jodhaa Akbar is at its core an intimate love story that's set against the spectacular sweep of the Mughal era. It's about the romance that gradually blossoms between Emperor Akbar and his wife Jodhaa, the Rajput princess with whom he enters into a marriage of alliance. It's also the coming of age story of the greatest Mughal ruler, who goes from a reluctant warrior to a brave and honorable leader and wins over his people with his empathy and his secular outlook.
Magnificently directed by Ashutosh Gowariker, Jodhaa Akbar draws you into its drama just moments into the film, transporting you to the battlefield, to the emperor's court, to Jodhaa's private chamber, and most importantly, into the mind and heart of Mohammed Jalaluddin Akbar himself, where he grapples with betrayals and insecurities.
It's the kind of film that doesn't quite let go of your attention well after the end credits have rolled some three hours and 20 minutes later.
Much will be said about the film's daunting length, and truth is, it could have been shorter. I can think of at least two subplots that could have been judiciously trimmed. But having said that, I honestly believe the length of Jodhaa Akbar doesn't hurt. You are swept into the roller-coaster ride of Akbar's political and personal growing-up journey, and it's not often that the screenplay loses its pace.
The film's best moments are the ones between the protagonist couple. Take that scene in which he catches her sight transfixed on his bare torso, or that sword fight between the couple that's bubbling with sexual energy. Even that delicate scene in which he reveals to his wife an awkward truth about his education. Or then that moving scene in which he vindicates her honour by demanding to be served his lunch in the same plates she ate out of just moments ago in a tense situation.
Truth is, Jodhaa Akbar works like a dream when it focuses its energies on the relationship between the couple ? their little spats, their mischievous moments, his heeding her advice, and the like.
As a big, period epic, Jodhaa Akbar has enough drama to keep you engaged ? palace intrigue, violent confrontations and impressive battle sequences.
The scenes that stand out for their sheer visceral impact can be ticked off a checklist ? first that breathtaking scene in which the emperor tames a wild elephant, also the one in which he gives in to his rage and orders a cruel death to a traitor, and finally that one-on-one combat scene in the climax, inspired no doubt from Troy. These are moments all that stay with you long after you've left your seat.
There is ample evidence of the fact that Gowariker once again assembles the perfect team to realise his vision. Kiran Deohans' cinematography is one of Jodhaa Akbar's key strengths, and nowhere is that more apparent than the battle scenes which Deohans' camera captures gloriously, making you feel like you're right out there where the action is.
His visual treatment for the film's songs is another masterstroke, in particular the eye-watering manner with which he films the Khwaja mere khwaja number, and also the lavish indulgence of the Azeem-o-shaan-shahenshah song.
Then there's Neeta Lulla's costumes and Nitin Desai's sets, both suitably ostentatious, but never once drawing attention away from the drama like they have previously in films like Sanjay Leela Bhansali?s Devdas. Of course, Jodhaa Akbar benefits enormously from AR Rahman's genius score, a collection of the finest, most haunting tunes you can remember recently, my favourites being the unforgettable Jashne Baharaa number and the one-of-a-kind Khwaja mere Khwaja track.
The soul of Jodhaa Akbar however, lies in the superlative acting. Supporting player Nikitin Dheer makes a lasting impression as Akbar's rebellious brother-in-law, but the film of course belongs to the two leads.
As Jodhaa, the sometimes-feisty-sometimes-graceful leading lady, Aishwarya Rai is wonderfully restrained and uses her eyes expertly to communicate so much, making this one of her finest outings on screen.
Hrithik Roshan, as Akbar, oozes confidence and delivers a career-best performance as the unflinching emperor. Not only does he transform physically to become the part, he gets under the emotional skin of the character and makes it his own. I cannot think of any other actor who could play this better.
Fact or fiction, Jodhaa Akbar is an engaging, involving movie-going experience, and puts Gowariker right up there on the very short list of India 's finest filmmakers. It's a modern masterpiece that will be celebrated for years to come.
sources- Rajeev masand |
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Jodhaa Akbar is a sixteenth century love story about a marriage of alliance that gave birth to true love between a great Mughal emperor, Akbar, and a Rajput princess, Jodhaa. Political success knew no bounds for Emperor Akbar (Hrithik Roshan). After having secured the Hindu Kush, he furthered his realm by conquest until his empire extended from Afghanistan to the Bay of Bengal, and from the Himalayas to the Godavari River. Through a shrewd blend of diplomacy, intimidation and brute force , Akbar won the allegiance of the Rajputs. But little did Akbar know that when he married Jodhaa (Aishwarya Rai Bachchan), a fiery Rajput princess, in order to further strengthen his relations with the Rajputs, he would in turn be embarking upon a new journey – the journey of true love. The daughter of King Bharmal of Amer, Jodhaa resented being reduced to a mere political pawn in this marriage of alliance, and Akbar’s biggest challenge now did not merely lie in winning battles, but in winning the love of Jodhaa – a love hidden deep below resentment and extreme prejudice. Jodhaa-Akbar is their untold love story. Before going for the movie, I was told by a friend that the fight sequences are ripped from from the movie Troy but there were hardly any fight sequences in the movie. Actually only 2. Many people were concerned about the longer duration of the movie but once the movie starts, you will never ever realize that it was 3 and half hour long. The scenes were handled so well that you won’t get bored for a single moment. (Must applaud director Ashutosh Gowarikar for that) I really loved few scenes in the movie… specially the scene where Akbar is trying to control an elephant, the scene where Jodhaa cooks the food for Akbar and she is asked to taste it before giving it to Akbar.. I really loved the way Jodhaa handled that scene.. even Akbar’s reply was fantastic.. also the sword fight between Jodhaa and Akbar was very good.. actually the list doesn’t end here . Apart from great direction, the music plays a very important role in the movie, be it the background music or the songs.. music was just fantastic..I must salute A.R.Rahman for that. He is a genius, if you listen to the music carefully, you will find so many instruments involved in a single song.. take example of the song, Azeem-O-Shaan Shahenshah, just listen to it carefully, so many instruments.. I really loved all the songs but Khwaja Mere Khwaja takes the top place. Even Jashn-E-Bahaara and In Lamhon Ke Daaman Mein were very good. Also the background score was very interesting.. from folk songs to various instruments, it had everything. The choreography was just too good. Khwaja Mere Khwaja, a sufi number was handled superbly. It was more like a spiritual song with very few dance moves but handled very well. But the treat was Azeem-O-Shaan Shahenshah. More than 300 dancers? Just imagine how difficult it would have been. It was a royal treat watching that song. I really loved the way it was shot, loved those aerial views. Cinematography by Kiran Deohans was worth praising. I loved the views of Akbar’s palace, so beautiful. On the acting front, the chemistry between Hrithik and Aishwarya were fantastic.They both make a perfect couple. Hrithik was very good as mugal emperor, a strong character who knows his job well and does not care what other people think about it. One cannot think better Akbar than Hrithik. Aishwarya was impressive too, a beautiful princess who is strong and brave from inside. Apart from the lead characters, Sonu Sood was pretty good as Rajkumar Sujamal, I also liked the character of Maham Anga played by Ila Arun, a very strong character with lots of gray shades. So to sum it up, Jodhaa Akbar is a very good movie with great direction by Ashutosh Gowarikar. It is definitely a must watch. |
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Ashutosh Gowariker’s epic JODHA AKBAR is a classic tale of love after marriage & the coming of age of a young emperor . Ashutosh proves with this one that he is Indias finest filmmaker as only he can deliver a hattrick of movies which will be remembered for years to come in Hindi Cinema . All 3 movies are a great amalgamation of art & entertainment as well as extremely different in terms of content . Asutosh’s screenplay have one thing in common , great moments which will linger in your heart even after one has seen the movie –1. the sword fighting scene between the Hrithik & Ash produces a rare sexual energy ever seen 2. the Khwaja Song where Hrithik is completely immersed in the powers of the Almighty along with the Bhajan were he has almost the same effect is superb . te film has many more such beautiful moments & add to that is his vision & scale on which he never comprises . an example of this are the huge sets , the big scale battle scenes (hardly ever seen in hindicinema ) which are realistically shot & will surely pump ones heartbeat , the beautifully mounted song ‘Marhabba’ is eye popping & rich in treatment as well as money . Ashutosh vision is greatly helped by the two protagonist –Hrithik plays Akbar like a true king , not once does Hrithik The star come to your mind when u see him perform , u completely take him to be the real vulnerable but good hearted Akbar completely dependent on his loyal ones .the voice modulation , the walk , the eyes all convey the much needed sense of royality to the audience. it is a character which Ashutosh has obviously written keeping the image of hindi film hero & nicely adding it to the larger than life persona of Akbar . the brilliance of Hrithik is superbly supported by Aishwariya Bhachan who proves yet again that if she is guided by a good filmamaker can give the best in the business competition . their superb performances are also a reason for their crackling chemistry . the confrontationscene where Hrithik is trying to convince her to come back with him & Ash not relenting is a real example of their superiorty . But the brilliance of the two is not quite replicated by the support cast which is average . though tere are some brilliance like the man who plays Hrithiks guardian in the beginning or the actor who plays the eunch , the main cast comprising of Sonu Sood (average) , Dheer , Poonam Sharma ( cant act ) , Illa Arun(hams) . but the 2 leads old the film . Asutoshs writing & Direction as mentioned is brilliant , though there are few scenes which linger a tad too long & could have been shortened & would have helped the length of the film . music is divine , Rahmans compositions touch your heart slowly like Amrit jal & make u pure . The Lyrics are superbly rendered . The cinematography is a dream , it changes beautifully in transforming us to a fantasy land which is beautiful to the battle scenes , shot in an apt rustic manner . the sound recording is brilliant . u get to hear each & every sound right from the voice of the elephants to the sound of the bangles which makes the watching the movie greater fun . Editing could have been tighter s a few scenes are a tad too long as mentioned before . Action is the kind hardly seen in hindi cinema ever absolute classic . Background score has te right blend of melody & thrill which adds to the beauty. In conclusion , Jodha Akbar is definitely Indias finest film on a real life character & will certainly be counted as a classic in times to come . I m certainly looking forward to DVD to absorb the magic of thismovie again |
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