Aladin

Last year we had a heavy weight fantasy debacle from the banner of Eros Entertainment called “Drona”. And like a child committing the same mistake repeatedly, this year we have a similar kind of forgettable fantasy titled “Aladin”, once again from the same prestigious banner of Eros. Wasn’t there even one thinking mind in the team who could see that they were repeating the same horrendous blunder again leading to a big loss, both on financial and goodwill grounds? Wasn’t there any creative person at all, who could point out that “Aladin” was also having the same distasteful ingredients, which were earlier universally rejected in “Drona” by the viewers in the first few days of its release? 

Anyway, the mistake has been committed and the loss has to be faced by everyone involved in the making of this horrifying experience. Playing with the loving memories of a childhood story which is still fresh in our mature minds, the movie shamelessly lies in the lowest zone of creativity. Hanging in the mid, it is neither an enjoyable fare for the kids, nor a refreshing graphical ride for the youngsters. In other words it seems to be the result of the wandering mind of a director who is simply lost in his own artistic world and damn cares of the entertainment quotient of his final product.

To start with, in my opinion there are two most important and exciting sequences in an “Aladin” movie, which have to be dealt with extra care and creativity. First being the entry and introduction sequence of the Jinn. And second, the content of the three wishes granted to Aladin by the Jinn. Originally the whole movie should revolve around these three granted wishes and their surprising aftereffects. But shockingly neither of the above two sequences have been given the much required importance by the director Sujoy Ghosh. The Jinn simply appears from the cloudy smoke in few seconds and then just starts singing a song along with Aladin and a group of dancers, which is arguably the weirdest conceived sequence of the movie. Besides this, the three wishes are just wasted by Aladin, without any excitement build up or entertainment factor for the viewers.

Moreover the kids keep on waiting for something great to unfold on the screen, each time Aladin is going to say a wish, but nothing happens and post interval the movie moves on to a totally different tale of a Ring Master who is also in search of the magic lamp. Can’t say from where he came into the story all of a sudden as we have not read about any such character in the Aladin story. May be the director wanted to add some spice and thrill into the story with some additional villain characters. But sadly, his move of adding a baddie Ring Master, doesn’t work at all. On the contrary, the bonus track deviates the story from its original theme and takes away the world famous charm of this fantasy story.

In the performance department, except Ritesh Deshmukh, almost everyone goes over the top, acting with hyper reactions and high energy. It seems they acted that way according to the brief given by the director. Yet in bold terms, both Amitabh Bachchan & Sanjay Dutt should include this movie as one of the most regretful projects of their career. Debutant Jacqueline Fernandez is just there for adding some glamour value and she delivers what was being expected from her. But I was unable to figure out why three talented veterans Ratna Pathak Shah, Victor Bannerjee and Mita Vashisht were there in the movie playing completely unimportant roles which didn’t suit them at all. Only Ritesh Deshmukh looked like his character of Aladin on the screen and he is the only one who gives an impressive, controlled and enjoyable performance in the movie.

Musically, it’s another mediocre score from Vishal-Shekhar with no Hit Track as such. Moreover, most of the songs in the movie are deliberately added into the proceedings and could have been easily left out at the editing table itself. In fact it’s only the Cinematography and few graphic sequences in the movie which are able to impress the viewer to some extent. Otherwise it’s a complete disaster from the production team, who didn’t learn any lesson from their own dud “Drona”.

It was indeed sad to see all the valuable resources and hard work going down the drain once again in a useless effort of making an epic fantasy Indian movie. And only the captain of the ship, Sujoy Ghosh, is the one to blame for this silly fiasco. In a nutshell, it’s high time that the production houses should rethink upon their working strategies. In clear words, they have to keep full control over their ongoing projects and their over-creative directors to save the hard earned money of both the makers and the spectators. Cause we really don’t want any other “Drona” or “Aladin” in the future.

Rating : 1 / 5

(by Bobby Sing from www.bobbytalkscinema.com)